photo by Diana Seifert |
Adam Holzman
Adam (*1958) grew up in California and started classical piano lessons at age 12,
but his main influences were "The Doors", Leon Russell and Dr. John. He started
getting into progressive rock and jazz-rock during the late 70s, which in turn
led to a growing interest in jazz.
"First I was influenced by groups like 'Emerson, Lake & Palmer' or 'Yes'. When I heard Chick Corea, the Mahavishnu Orchestra and Billy Cobham I got completely turned on to jazz," he says today. "But I only started getting serious about jazz harmonies when I was in my late 20s. Even today there are still some gaps in my jazz knowledge. But I do not consider my musical role to be a keeper of jazz traditions. I try to make entertaining music today, influenced by rock, jazz-rock, funk and a lot of other styles and ideas." One of his first big jobs was a new recording of the opera "Carmina Burana" by composer Carl Orff, led by Ray Manzarek of the "Doors" and produced by Philipp Glass. He then played with various groups including the group "Fents", which Adam co-founded before coming to the attention of singer Randy Hall. Miles Davis first hired Adam for some keyboard work for "Tutu" and then as second keyboarder for the live tour that followed. While Miles Davis hired and fired musicians at an enormous rate during these years, Adam Holzman actually stayed for almost 5 years. "I must have done something right", Holzman says today. "I was so nervous in the beginning - I didn't think I would survive the first tour." Miles later promoted him to "musical director", when Robert Irving left the band in 1988. After one more year Adam moved on - to work with Michel Petrucciani, who asked him in 1989 to join him for a cooperation to which he also contributed several compositions. During the early 90s, Adam also worked for Chaka Khan, Robben Ford, the band "Kelvynator" and many others. He also founded a steady live band ("Brave New World"). In 1995 Adam appeared in the US with Brave New World and continued occasionally performing with Michel Petrucciani - but was also a member of Wayne Shorters group, which toured worldwide in fall of 1995. From 1997 to 2000, Adam recorded and toured with the late, great sax player, Grover Washington. Over the past several years of the new millenium, he has continued working with his own band, Brave New World, releasing Jazz Rocket Science in 2005 and four live CD recordings as part of the "Alive" series. Adam has also been producing new Miles Davis projects for Sony and continues to play side gigs with Droid and the Jane Getter band. |
contact: | |
homepage: | adamholzman.com |
Click on the logo to see Adam's tour dates. |
In A Loud Way Manhattan Records CDP 7243 8 27299 2 1 released 1992 recorded May 1991 in New York City/USA |
Adam Holzman, synthsizers, piano Jimi Tunnell, guitar Kenny Garrett, alto sax Daryll Jones, bass Steve Logan, bass Mino Cinelu, percussion Dennis Chambers, drums |
Overdrive Lipstick Records LIP 89025-2 released 1994 recorded 1991 through 1992 in New York, NY/USA |
Adam Holzman, guitar, keyboards, piano, synthesizer, percussion Hiram Bullock, guitar David Phelps, guitar Jimi Tunnell, guitar Drew Zingg, guitar Steve Logan, bass, vocals Van Romaine, drums |
Manifesto Lipstick Records LIP 8933-2 released 1995 recorded March to April 1995 in New York, NY/USA |
Adam Holzman, Fender Rhodes, keyboards, piano, synthesizer Michael 'Dino' Campbell, guitar Jane Getter, guitar Mitch Stein, guitar Aaron Heick, soprano sax, alto sax Freddie Cash, bass Ju Ju House, congas, drums, percussion, voices |
Vibe NYC Records NYC 6012 2 released 1995 recorded in New York, NY/USA |
Donny McCaslin, soprano sax, tenor sax Aaron Heick, alto sax Tim Hagans, trumpet Michael Cain, piano, synthesizer Adam Holzman, organ, synthesizer Rachel Z, piano, synthesizer Mike Mainieri, vibes Victor Bailey, bass James Genus, bass Reggie Washington, bass Clarence Penn, drums |
The Big Picture Escapade Music ESC 63653-2 recorded January 1997 in New York City/USA |
Adam Holzman, organ, Wurlitzer piano, clavinet, synthesizer Aaron Heick, soprano sax, alto sax, alto flute, bass clarinet Jane Getter, guitar Allen Burroughs, guitar Mike Campbell, guitar, voice Freddie Cash jr., bass Ju Ju House, drums, percussion Mitch Steinguitar, vocals Michael "Dino" Campbell, vocals |
No Room For Argument Stretch Records SCD-9033-2 recorded March/April 2000 in Waterford, CT/USA |
Wallace Roney, trumpet Antoine Roney, soprano sax, tenor sax, bass clarinet Steve Hall, soprano sax, tenor sax, bass clarinet Adam Holzman, piano, organ Geri Allen, piano, synthesizer Buster Williams, bass Lenny White, drums |
JazzRocketScience Nagel Heyer Records 2060 recorded in New York City/USA |
Adam Holzman, keyboards Aaron Heick, soprano sax, alto sax Alan Burroughs, guitar Mitch Stein, guitar Freddy Cash jr., bass Alex Elena, drums |
Spork Big Fun Productions 1234 recorded in New York, NY/USA |
Adam Holzman, keyboards Aaron Heick, sax Mitch Stein, guitar Freddie Cash, bass Abe Fogle, drums |
Truth Decay Big Fun Productions recorded November/December 2017 in New York/USA |
Adam Holzman, piano, keyboards Franz Hackl, trumpet Ofer Assaf, soprano sax Theo Travis, flute Steven Wilson, guitar Jane Getter, guitar Freddy Cash, jr., bass Laurence Cottle, bass Mark Egan, bass Stefano Olivado, harmonica, bass Craig Blundell, drums Abe Fogle, drums Davide Raggazoni, drums Nick Beggs, vocals Randy McStine, vocals |
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